JohannesVogt-300x49 "THE MIDDLE"

“THE MIDDLE”

CURATED BY MICHAEL BUHLER-ROSE AND JOHN CONNELLY

CAROLINE WELLS CHANDLER
TM DAVY
FELIX GONZALEZ-TORRES
VAN HANOS
DAVID HORVITZ
KRIS MARTIN
ALEXANDRA FORSYTH MARTINEZ
AGNIESZKA POLSKA
SÉRGIO RODRIGUES
MARTHA ROSLER
KENT ROGOWSKI
MATTHEW SPIEGELMAN
WITH SELECTIONS FROM THE ARCHIVES OF
AMBER BROWN AND
ANDY ROBERTSON

 

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AlexandraForsythMartinez_CycleOfBirthAndDeath-1024x819-1 "THE MIDDLE"

Alexandra Forsyth Martínez, The Cycle of Birth + Death
silver gelatin print in custom artist frame, 40 in. x 32 in.

OCTOBER 12 – NOVEMBER 11, 2017
1Vogt_6287 "THE MIDDLE"

Installation view


2Vogt_6285 "THE MIDDLE"

Installation view


3Vogt_6291 "THE MIDDLE"

Installation view


4Vogt_6290 "THE MIDDLE"

Installation view


5Vogt_6292-choice2 "THE MIDDLE"

Installation view


6Vogt_6294 "THE MIDDLE"

Installation view


7Vogt_6300 "THE MIDDLE"

Felix Gonzalez-Torres, “Double Fear,” 1987, rub-on transfer, Private Collection, New York
Kris Martin, “Self-portrait (pins),” 2008
Two found pins, painted wood shelf
1 5/8 × 31 1/2 × 7 3/4 inches (4.13 × 80.01 × 19.69 cm)


8Vogt_6281 "THE MIDDLE"

Van Hanos, “Siren’s Song,” 2017, oil on linen, 72″ x 60″


9Vogt_6282 "THE MIDDLE"

Matthew Spiegelman, “Title Sequence
Escape from New York and LA {2 Flat 35mm trailers, two strobes,
Rosco GOBO light shaper, semi- transparent window shade,
4×5 camera with tilt and swing on front standard, 180mm lens},” 2011, C-print, 40″ x 32″


10Vogt_6278-e1508005649410 "THE MIDDLE"

Caroline Wells Chandler, “Strange Attractor for Agnes Martin,” 2017, hand-croched assorted fibers, 70″ x 73″


11Vogt_6283 "THE MIDDLE"

Selections from the Archive of Amber Brown


12Vogt_6302 "THE MIDDLE"

Selections from the Archive of Andy Robertson

 

 

 

 

 

 

 

 

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